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Not wanting to be stuck as Ziggy forever, Bowie killed off the character to become Aladdin Sane, a harder, nastier persona inspired by the dark decadence of America. David Bowie: Ziggy Stardust/Aladdin Sane/Thin White DukeĪnother artist who turned to the stars for inspiration was David Bowie for his bisexual alien glam rock star persona, Ziggy Stardust, immortalized on his 1972 concept album, The Rise And Fall of Ziggy Stardust And The Spiders From Mars. Wiggles, a rapping underwater DJ, Sir Nose D’Voidoffunk, Lollipop Man, and countless others. His lifelong fascination with sci-fi manifested itself in his characters Starchild (inspired by 2001: A Space Odyssey) and Doctor Funkenstein, who sprung from Clinton’s fascination with cloning. Both of his pioneering bands, Funkadelic and Parliament, were part of Clinton’s cosmology that included galactic-themed dancers, costumes, and a replica spaceship on stage during performances. George Clinton created more than just alter egos he created an entire universe with his P-Funk mythology that would pave the way for Afrofuturism. George Clinton: Starchild/Dr Funkenstein/Mr Wiggles You would be surprised who either claims Misfits as an influence or has covered one or more of their songs.
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Read more: Meet the 22 artists set to have a massive year in 2022 – AltPress issue 402 Because there’s just nothing in the world like the original Misfits firing on all cylinders.
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Ultimately, Danzig had to return a few years back for a series of reunion shows, to much acclaim. Fits to the proudly rotund Misfats attempted to bottle the magic. Only and Doyle relaunched the band in a Danzig-less lineup in 1995, as tribute bands ranging from the all-female Ms. A steady stream of reissues, retrospectives and vault clearings built their profile, even as the various members sued one another over royalties and rights to the name. They held sway over not just punk rock, but metal and alternative rock. Past their breakup shortly before that final album’s release, Misfits only grew in stature and influence. We had to wait for 1983’s Earth A.D./Wolfs Blood for that to happen. However, at this stage proceedings never thrashed so hard as to decimate the 1950s melodiousness and “whoa-whoa” choruses that were the band’s trademarks. Hardcore had begun rearing its shaven lil’ head, adding an extra jolt of velocity to Misfits’ already ripping attack. That creature-feature barrage found its utmost expression on 1982’s definitive Walk Among Us LP. They’d become a cooler, low-budget KISS for punk rockers. The Misfits image burned hardest onto the mind’s retina is the devil-locked frontline of Only and brother Doyle Wolfgang von Frankenstein stripped to the waist like gladiators, flanking the singer in his skeleton-bedecked black clothing, the backline draped with images of their mascot the Crimson Ghost. Read more: A history of horror punk, from the Damned and Misfits to Alkaline Trioĭanzig and bassist Jerry Only were the only constants in an ever-evolving cast. Think of "Hollywood Babylon," named for Kenneth Anger ’s scandalous 1970s book, the JFK assassination ode "Bullet" or the twin television addiction paeans "Static Age" and "TV Casualty." With material such as "Return Of The Fly" and "Teenagers From Mars," Danzig indulged his love of trashy black-and-white horror movies, bloody pre-code EC Comics and gothic authors such as Charles Baudelaire and Edgar Allan Poe. Initially, as evidenced by Static Age - recorded in 1978, unreleased as a standalone until 1997 - Danzig’s baritone was crooning trash culture-obsessed lyrics over the band’s high-energy roar. After initially being driven by Danzig’s distorted electric piano, Misfits became known for sludgy power chords pitched in the key of Black Sabbath set to Ramones -oid tempos and song structures straight off a scratchy old Dion And The Belmonts 45. Which was most likely not Glenn Danzig ’s goal when he formed them in 1977 in his native Lodi, New Jersey, naming them for Marilyn Monroe ’s final film from 1961. Misfits are the very model of an influential punk band.